What an Archive Chooses Not to Say

What an Archive Chooses Not to Say

Lorenzo Caia

Archive Reflections

Every archive is, in part, an act of concealment. Not through omission of what mattered, but through the ordinary discipline of any cataloguer: to record only what can be verified, and to leave everything else outside the frame.

I have spent enough time in the company of old notation systems (field notebooks, herbarium labels, the marginalia of naturalists who worked before photography could do the remembering for them) to notice how often the record says less than the person keeping it knew. A specimen number. A date. Sometimes a private mark that meant something only to the hand that made it, and nothing to the institution that later filed it away.

Framed print Archivium among antique leather books and notebooks - fine art wall art | Lorenzo Caia

This wasn't secrecy in the dramatic sense. It was closer to restraint. A cataloguer working alone, for years, develops shorthand the way anyone does when no one else is reading over their shoulder. Some of that shorthand survives by accident. Most of it doesn't survive at all.

I think about this more than I probably should when I'm at the drawing table. Ink is slow. A single plate can take days, and across those days a great deal passes through the hand that never makes it explicitly onto the paper, not because it's hidden, exactly, but because the drawing was never asked to say everything. Some of what ends up recorded on a page is legible only in the way a field note is legible: to the person who made it, first, and to anyone patient enough to sit with it, second.

Ink detail Proportio - mathematical formulas and golden ratio notes, illustration on paper | Lorenzo Caia

I don't think an archive owes anyone a complete account of itself. I'm not certain it would still be an archive if it gave one.

What I can say is that I've started paying closer attention to the annotations I attach to my own work: the small lines of cataloguing text that sit beside a plate, the way a museum label sits beside an object. Whether those annotations are only what they appear to be, or whether some of them are doing something closer to what I've just described, is a question I'd rather leave open than answer here.

Ink detail Codex - architectural sketches and study notes, illustration on paper | Lorenzo Caia

I'm not sure the record is supposed to resolve that for you. I'm not sure it's supposed to resolve it for me either.

Lorenzo Caia

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